Відео

I don’t know…. I listened again and in some places the Big Six was definitely better than the 01v.

Thanks.

Thanks. I've done a few to help where I can.

Drums really can change the character of a track. Thanks.

I'm having a break from videos but hopefully I'll do something over xmas when I get some time and factor that in too. Thanks

thank youfor getting back to me, look forward to seeing what youcome up with. @@Drumbaseuk

@@kevinmichaelproductions9744 I think I have done the one you want on fx. seach my vids for this: Sending FX To Channels 13 & 14 On The SSL Big Six

I'm not looking for effects sends I'm looking for effects on the master buss which I believe would be different?@@Drumbaseuk

Yeah I don't know if the early ones that I got, were burnt in, but yeah he said they are burnt in now in the factory. I have mine connected to a sub and my room is heavily treated. The speakers sound awesome just lacking a little punch. Being a 3 way they certanily let you know when your mix isn't right, as it just sounds off, really good to mix on, I can trust them completly. I take it you have some?

Yes I do actually. I love them. I hqppen to be a professional mastering engineer and I use the type 20’s everyday and trust them. They are extremely under priced and underrated

@@Limit5482 I'm supprised they don't get more recognition. It's hard to find a monitor that sound fantastic and yet so acurate. I don't need to mess around with trying mixes everywhere, I just mix and if it's good on the 20's its good everywhere. I have mine with the port closed and as I said run a sub so the bass drivers aren't overworking and I can turn the sub off to hear better when mixing. Have you a youtube? Be good to see your setup.

Can't you adjust the headphones on the desk. I use the blue coloured ones in the headphone section to adjust the volume to headphones. If I haven't got that right is there anything you can do with bus B? Thanks, Alex

I mean specifically the return from the DAW. Let's say the artist wants more DAW return, I have to turn up the gain knob from 15/16, which in turn also raises volume in the control room. Can I have a headphone mix in Big Six where I can independently send the artist more or less DAW monitor? @@Drumbaseuk

@@LowCMusiq I'm sure there is a way but I can't think how at the mo. can you send a bus to 13/14? Alternatively there is a facebook group and they seem to know a lot. Maybe pose the question there. Sorry I can't be of any more help.

@@Drumbaseuk appreciate it!

Thanks, appreciated.

Hi, I wanted Hedd to send my 2 of their subs but they made excuses and never came through. I asked Adam Audio and they wouldn't as well and shops could only send 1. I know you can have phase issues with 2 but I think it would be great to experiment. Bass sounds good in mono but yeah stereo would be a curiosity.

@@Drumbaseuk I know man all of the active speakers sold for the studio market are focusing on a single sub setup only I really don't understand why . Take it easy anyway man .

Hi I now try and keep mine at 0 then I have room to go up and down. I try using the gain to get it right when at 0 but some times I need to push it some more. If it sounds okay that is cool, it just may add distortion maybe. Thanks

@@Drumbaseuk thank you so much for your response.

Or how about just an explanation of how this works from you or somebody else? I'm most likely not the only one who has a question about this. And thank you in advance.

@@cliveparkes522 Hi, I shall ask a friend who is doing this so I can be sure to get it right. He has logic. I'll let you know when I ask him.

​@@Drumbaseuk okay, thank you.

Okay, for anyone who has run into the same misunderstanding, here we go with send and return of effects using an outboard reverb unit as a for instance: It's pretty basic and we're not even involving DAW. Let me know if I'm missing anything. Out R&L from ST Cue (back panel of Big Six) into any R&L outboard stereo reverb unit. Then out from R&L reverb unit into EXT. Inputs on the very top right panel of Big Six. Then turn up the pot level for Cue 1 in the "Monitor Source" section on the Monitor panel. (top right on Big Six), and push the EXT 1 button (13/14) on the Main panel section. That's it. Now you can go to any channel strip, turn on ST Cue 1, and use the db levelling pot to vary the amount of reverb you need for any channel.

I never throught of that, that is a really good point. Thanks.

Thanks. Glad you like it.

Glad you liked it. Thanks for the comment.

Thanks dude.

It's pretty cool.

Really underrated, great headphones.

@@Drumbaseuk I've finally got them fine tuned in Audirvana using TKD Nova GE parallel EQ, they sound sublime. I was just listening to MJ's Thriller album and I am picking up instruments I'd never heard before.

@@jackdorsett740You know what I have to do now. Listen to MJ with them.lol

@@Drumbaseuk DO IT! :P

@@jackdorsett740 How do I do mine please?

Hi, thanks for the kind coment. The way I did it, I now use a DJI wirless mic, which is easier as the mic comes with me, as I kept shouting with the big six even though I didn’t have to. lol. The main thing is, is that you select the inputs and outputs correclty also that the mic you are using is going straight out the main bus not back through the usb. The switch, usb out fader may be the reason. To be honest it could be many things as the desk is so versatile. Sorry I couldn't pin it down exaclty.

Thanks, look forward to hearing from you.

Thanks. I have another similar one coming soon......

HI, Do you think they need to come up in pitch? Or is the sound just off? Any recomendations?

Thanks man good to hear.

Hi thanks for your kind words. Not sure what you mean by safe mode?

@@Drumbaseuk on my ssl usb control panel, it has a option for "safe mode" for the buffer settings. I am on windows, but I figured mac would have the same option as well. I dunno...

@@MonstarMk3 Got you. I guess it wouldn't hurt to use it if it's useful. It may just be something else to remember to change though. I guess whatever works for your setup.